British Empire Title

The Westcountry Walker: Hiking Through History

Berry Pomeroy: The Castle on the Hill and the Fates of the Pomeroys and the Seymours


Berry Pomeroy

Rupert suggested to me that we should join English Heritage, pointing out that unlike say the National Trust, they welcome dogs to the vast majority of their properties. I duly checked and sure enough he was correct. Better yet, Rupert doesn’t even have to pay an entrance ticket! Duly armed we set off for the home of Protector Seymour at Berry Pomeroy Castle just outside of Totnes. We came close to visiting what Elizabeth Goudge called in her book; The Castle on the Hill when we set off from Marldon a few months back. We caught an enigmatic glimpse of the castle from Afton Bridge across Gatcombe Brook before circling back to Marldon. Few castles combine elaborately jutting ruins with such a beautiful location as Berry Pomeroy – at least looking at it from the North. It is no surprise that over the centuries artists have flocked to paint what was once more of a grand fortified Manor House than a military castle. This residential evolution means that its northern remains in particular are very unusual as they were supports for windows to enjoy the magnificent views rather than defensive features.

Berry Pomeroy

However, when you approach the castle from its main southern entrance it looks far more like a traditional castle albeit with some interesting quirks. This is because the castle was built in three different phases, with the southern gatehouse being the first phase, built in the late 15th century during the closing years of the Wars of the Roses.

The castle was to be built by the Pomeroy family who had held ‘Berri Manor’ in what is now called Berry Pomeroy village since the reign of William the Conqueror. In the 15th Century, the Pomeroys were backers of the House of York during the interminable years of political upheaval. Partly in response to these new dangers, they felt the need to build a defensible castle. Possibly constructed by Henry Pomeroy whose eldest son Sir Saintclaire Pomeroy was to die of wounds sustained at the battle of Tewkesbury in 1471. However, it may well have been at the instigation of Henry’s second son Richard Pomeroy who was to inherit the Pomeroy lands. Either way it was built in a manner to be defended with a gatehouse, drawbridge, moat (no longer obvious), portcullis, murder holes, high windows and their coat of arms prominently displayed. Being built in the late 15th century though, one of the quirks are the strange arrow loops which have a circle in the middle of them. This was because the bows and arrows and crossbows of the Medieval ages were being replaced by arquebuses which are effectively heavy early muskets with a very thick barrel. These holes in the loops would allow the barrel to be pushed out giving a wider angle of fire and also disperse at least some of the smoke that would be created in the firing of the gun. In fact in St Margaret’s Tower to the east of the gatehouse is an almost unique double arquebus position with a third even wider hole below to allow for a light frame gun to fire along the length of the wall at any attackers. So theoretically three weapons could fire from the same position at the same time. This part of the castle was designed for war.

Perhaps because of their support for the Yorkist cause, Pomeroy influence waxed and waned in the Tudor court although this was shored up by marriages to influential Tudor backers such as that of Sir Thomas Pomeroy to the daughter of Sir Piers Edgcumbe of Cotehele House. It didn’t help that the Pomeroys also attached their allegiance to Cardinal Wolsey who burned brightly in Henry VIII’s court for a while before being snuffed out entirely with Henry VIII’s desire for a divorce and a son. The demise of Wolsey would usher in the rise of another family who would ultimately take over Berry Pomeroy Castle in 1547; that of the Seymour family. The Seymour’s rise was tightly bound up with Henry VIII finally getting the male he wanted through his third wife Jane Seymour who though sadly died days after the birth of Edward. Her brother, also called Edward, would be instrumental in raising and educating his nephew and when Henry VIII died in 1547, Edward became known as the Lord Protector of the 9 year old Edward VI and de facto regent of the kingdom.

Protector Seymour

With his newfound influence, Protector Seymour wished to enhance Seymour prestige and saw an opportunity in acquiring Berry Pomeroy Castle from the declining Pomeroy family who were struggling to keep up the maintenance and upkeep of their ancestral home. They sold it perhaps in the hope of gaining some influence in the new regime as well as the financial payout. If so, they were to be more than a little disappointed as Protector Seymour acquired more influence for himself and his family and began to accelerate the Protestant Revolution with serious consequences for the Westcountry and for the Pomeroy family itself. Rupert and I have already tracked the 1549 Prayer Book Rebellion which started in Cornwall and spilled into Devon with widespread fighting from Exeter to Fenny Bridges. It was Edward Seymour’s desire for an English prayer book and simplified liturgy and decorations in churches that had provoked this serious rebellion. Seymour’s men had had to rely on overseas mercenaries to meet and eventually defeat the rebels with the closing battle at Sampford Courtenay. However, one of the rebels to join this rebellion was Sir Thomas Pomeroy with his Cornish wife. Indeed at the battle of Clyst St Mary Sir Thomas Pomeroy is credited with personally leading a successful ambush that completely disorientated the attacking King’s army. They were to lose the battle for the lack of cavalry to exploit local successes such as Sir Thomas’ but it is interesting to consider whether Sir Thomas was only motivated by religious concerns to join the rebels or whether he was harbouring resentment at having to sell his ancestral home to Edward Seymour? Sadly for Sir Thomas being on the losing side would seal his family’s fate. Although he was not executed he was imprisoned and his lands became forfeit. Ultimately he died in 1566 but in debt and relative poverty. Not that Protector Seymour’s fate was much better. He was to be blamed by the Privy Council for instigating the 1549 rebellion and was arrested and taken to the Tower of London. John Dudley, the Earl of Warwick and soon to be Duke of Northumberland was the lead instigator who took advantage of Seymour’s weakness in the aftermath of the rebellion and ultimately engineered Edward Seymour’s 1552 execution. So in a strange way both owners of Berry Pomeroy Castle were victims of the 1549 Prayer Book Rebellion!

2nd Edward Seymour

Fortunately for Protector Seymour’s son, also confusingly called Edward, the Seymours even after the death of Edward in 1553 were regarded as family by Elizabeth who depended on her half-brother’s claim to the throne through Henry’s 3rd wife in order to help legitimise her own claim to the throne through Henry’s 2nd wife. Many Catholics in particular did not regard Henry’s divorce from Catherine of Aragon to be based in legality. The upside to this was that Edward Seymour was allowed to inherit the titles and lands of his father including that of Berry Pomeroy.

3rd Edward Seymour

It was this Edward Seymour who would set about transforming the defensive gatehouse with an elaborate Elizabethan mansion to the east of the gatehouse with the emphasis on light and comfort rather than defence. As you come through the gatehouse it is the building to your right which was the focus of this second section of development. You can see a plethora of tell tale Tudor windows which had no defensive utility whatsoever. This mansion was built for a country at peace and had been so since the accession of Henry VII in 1485. There was no living memory of wars amongst competing factions. This was now the golden age of Elizabethan England and Edward hoped that one day his cousin might visit him there.

The third phase was to see an even more ambitious Great Hall and Long Gallery along the north precipice with glorious views over the Gatcombe Valley and towards Dartmoor. It is the remains of this third section that probably evoked the title ‘The Castle on the Hill’ by Elizabeth Goudge and the various artists who would later flock to paint the decaying mansion. This was built by yet another Edward Seymour (they really were not imaginative in their naming conventions – but of course they wanted to keep the royal connection to Edward VI in everyone’s minds). This third Edward Seymour to own the house wanted to build an even grander Jacobean extension with even larger windows to show off his wealth. There was also intended to be a promenading terrace outside the front over the sharp drop to the Gatcombe river below. This particular project was never finished but the Great Hall and a 63 metre Long Gallery above it was completed in the early years of King James I.

For the Seymours who were so closely identified with the Tudor Family, the era of the Stuarts was to prove a difficult one to live through. They were to remain staunch loyalists and backed the Stuarts to the hilt as their cousin Queen Elizabeth wished, however in so doing they would ultimately attach themselves to the Royalist cause in the English Civil War with profound consequences for both their finances and the ultimate fate of Berry Pomeroy Castle. Although there was no active fighting in and around the castle itself, it was used as recruiting, training and logistical base for the Royalists in their various campaigns in the Westcountry. But this also meant that with the accession of the Commonwealth, the Seymours were politically and economically vulnerable and their finances suffered tremendously. With the restoration in 1660, the Stuarts remembered their support and granted yet another Edward Seymour the role of Speaker of the House of Commons for his family’s loyalty but Berry Pomeroy was now seen as an expensive liability for a family that had sacrificed much for the Royal cause. It was then left to yet another Edward Seymour to abandon this expensive property and consolidate the Seymour family at Bradley House in Maiden Bradley in Wiltshire where they still live to this day. Technically they still own Berry Pomeroy although now it is managed by English Heritage who also have taken on the considerable expenses of maintaining the ruins and making them accessible to the public. This is a remarkable building with a remarkable history. It really only operated as a castle for less than two centuries and yet managed to have three significant phases of development in that short history. What we see now is more the remains of a Tudor Mansion House rather than a castle. In fact the castle aspect with its thick defensive walls is probably the best preserved section of all despite being the oldest.

Now it would have been easy to get in the car and drive away after an interesting visit around these fascinating ruins, but of course Berry Pomeroy Castle only tells part of the Pomeroy and of the Seymour family. With this in mind we decided to walk south to the village of Berry Pomeroy. If you recall I mentioned that the Pomeroy family had held Berri manor since the reign of William the Conqueror and had indeed lived there at least two centuries before they built the Gatehouse at Berry Pomeroy Castle. The Manor House still stands in the village and even more coincidentally I believe that it is still owned by the Seymour family who presumably bought all the local lands of the Pomeroy family in that transaction in 1547. We went to see if we could catch a glimpse of it as we passed the Berry Pomeroy lodge and then walked over some farmland down into the village. It is the church of St Mary’s that you see first and of course this would have been the local church for the Pomeroys and the Seymours for most of their history although the gatehouse was built with a chapel inside it back at the Castle.

Berry Pomeroy

As we descended into the village with the church guiding us in, we saw an enormous barn. It was so large it made me wonder if it might originally have been a tithe barn where all local families could leave their church contributions in the form of produce. I cannot conceive of who else would have required such a large barn in the pre-industrialised agricultural era. We also passed the War Memorial before coming to Berry House which did have the sign Manor House in case we were unsure we got the right place. It is very idyllically placed next to the church. Interesting to think that only two families have owned this site for nearly a thousand years!

As we stepped through the Lych gate we saw almost immediately what appeared to be a grave to one of the Seymours; a memorial stone to Archibald Henry Algernon Seymour, born in 1810 and who died in 1891. At first I thought it curious that he was not buried in Wiltshire, but as we were about to find out, St Mary’s holds some remarkable Seymour family connections and memorials. But in fact this stone is not a grave at all but a Victorian memorial placed here in the ancestral parish of the family, as Archibald was indeed buried at their home in Maiden Bradley. This memorial is carved to look identical to his actual grave in Wiltshire. It was erected to maintain the Seymour family’s connection to both locations. It is interesting that the ancient castle ruins became even more famous in the Victorian era as Romantic painters and poets flocked to see the decaying building for themselves. Perhaps Archibald was swept up in that Victorian romanticism and wished to re‑establish a link to not one but both ancestral homes.

St Mary's Church Berry Pomeroy

This was not the only interesting grave we saw. Just to the south of the church was a remarkable looking Pyramid Tomb for Elizabeth Howard dated to 1810. It is huge and so different from all the other graves in the churchyard. It appears that she may have died from consumption, the period term for tuberculosis, but the date of her death may give a clue to this Egyptian‑inspired monolith. After Napoleon invaded Egypt and was defeated by the British there in 1801 there was a vogue for all things Egyptian and some people preferred it to the otherwise ubiquitous Greek Revival style. It was not just the invasion of Egypt but the fact that a great many scientists and academics began working on discovering more about the Ancient Egyptian world in the opening decades of the 19th century. It is intriguing that this fashion even reached such a remote place as Berry Pomeroy.

After a delightful lunch on a churchyard bench overlooking a field of cows opposite, we entered St Mary’s Church. It was a most welcoming church with some refreshments available by donation at the back for visitors which was a nice touch and also some books were for sale to help raise funds for the church. Rural churches are fundamentally so much more welcoming than their urban counterparts. This church has a lovely rood screen, but with decorations that perhaps reveal that the Commonwealth really were keeping a close eye on the Seymours in the aftermath of the Civil War, as nearly all the religious figures portrayed have their faces scratched out. This was common practice for strict Parliamentarian iconoclasts, but one does wonder if it was a particular message to the local lords of the time, the Seymours, to show who was in charge. Interestingly a couple of faces were not scratched out — those of local people with no obvious religious connection. It was simply religious iconoclasm that strict Protestants had a problem with.

In the north‑east corner is the stand‑out monument in the appropriately named Seymour Chapel. This is a massive memorial to the second and third Edward Seymours of Berry Pomeroy, and to Elizabeth Seymour née Champernowne of Dartington Manor. Remember that the first Edward Seymour was executed and his body was buried within the Tower of London in an unmarked grave — the fate of traitors. Elizabeth is surrounded by depictions of her children. Immediately below her are statuettes of nine children, five boys and four daughters. At her head lies a baby who presumably died as an infant. But even more interesting is that at her feet sits a girl who may also have died at a young age but also may actually reflect a disabled child born to her who may or may not have survived into adulthood. I should say that the stained glass windows in this chapel are particularly vibrant and beautiful and are dedicated to the 15th Duke of Somerset who died in 1923.

In the Chancel is a memorial to a past vicar who also knew how to ingratiate himself to the local aristocracy. His name was the Reverend John Prince who, as the memorial explains, was the vicar of this parish from 1681 until 1723 and was the author of The Worthies of Devon. This was a book that set out the family trees and manorial residences of the great and good of the county of Devonshire. It also would have given him an excellent excuse to call on the great and the good, most of whom would have been delighted to share their family histories to help embed themselves as “worthies” of long lineage. The book was a substantial 600 pages in length with woodcuts to illustrate the 191 biographies. Not unsurprisingly he struggled to find funding for it. The printer was forced to advertise for subscribers while the book languished for four years until its final publication in 1701. It is also interesting to consider that he would have been the vicar when the Seymours finally abandoned their residence of Berry Pomeroy Castle and would have seen it begin its descent into a ruin. He also would have been the vicar when William of Orange marched close by after having landed at Brixham in 1688. It is perhaps no accident that the Royal Coat of Arms in this church happens to be that of William of Orange.

Amongst the many other memorials the empire ones always jump out at me. There is one to William Augustus Brown who died at the tender age of 25 on my birthday (4th of October) in 1822 in Bangalore in India (they call it the East Indies). He had been a Lieutenant with the 13th Light Dragoons. With no way for his family to visit his grave, this memorial, which looks like a tomb with a cross on top of it, would have had to have served the function of a grave for his surviving family.

By the door were two interesting naval memorials. One was tiny and up high to William Martin Wills of this parish who had been a purser in the Royal Navy and died in 1813 at the age of 38. This would have meant that his service would have coincided with the Napoleonic Wars. One wonders what battles and campaigns he participated in. Just below him was a far more detailed memorial to another family of sailors. The first of these was to William Bundock which remarkably says that he had served his country by sea for 60 years before dying in 1841 at the age of 76. Presumably he started his career as a young child, perhaps at the time of the American Revolution even. There is a William Bundock recorded as serving on HMS Ajax before and during the Battle of Trafalgar in 1805. For a while the ship was under the command of one of the most famous English captains of the era, Alexander Cochrane, and funnily enough served in the Egyptian campaign in 1801 when the British landed their army to fight the French. After Trafalgar she participated in the 1807 attempt to seize the Dardanelles, so quite a varied career in just these few short years. One wonders what he saw in his full 60 years of service. Coincidentally he was a purser too. Beneath him remembers his son William Thomas who predeceased him in Totnes in 1837 at the age of 42. But below him is an even sadder memorial to William Thomas’s son and William’s grandson, also called William, who it says “was accidentally drowned at sea” in 1844 at the age of just 16. Sadly I do not know the story behind this accident, but so many Devon families would send their sons to sea throughout our history.

Lieutenant Robert F. Coffey

The war memorial at the back is carved as St George and the Dragon. In addition to the seven beautifully carved names of soldiers who died is a piece of card with the name of a Lieutenant who served with the American Army; Lieutenant Robert F. Coffey of Lansdale, Pennsylvania who was serving with the 115th Infantry Regiment of the 29th US Infantry Division. This got me intrigued as to why an American officer had been added to this list. It transpires that Lieutenant Coffey had married Joyce Alice Hall before D‑Day took him across the English Channel. He was to die on June 8th, just two days after the invasion, whilst leading an attack to capture St Lô. He is buried in Normandy, leaving a very young widow here in Devon. He was posthumously awarded a Silver Star for his bravery.

This was a lovely church with so much more to see than what I have written about here — oh and it has a toilet which far too few churches appear to have and is always a relief (excuse the pun) for walkers. After a little more rummaging around the graveyard we headed north‑west out of the village towards Gatcombe House, another old country manor that was once the house of William Bogan, one‑time mayor of Totnes, who married the sister of Thomas Bodley — the man who established the Bodleian Library in Oxford. It was also the home in the 17th century of Zachary Bogan, who was an important early expert on Homer and tried to cross‑reference the vocabulary of the Iliad with that of the Greek translations of the Bible.

After Gatcombe House we crossed over the Gatcombe Brook where we saw a millstone announcing the location of Gatcombe Mill. Mills of course were so important to the rural economy in allowing the local farmers to convert their produce into a saleable commodity. We then followed the Gatcombe Brook back into the English Heritage lands around Berry Pomeroy Castle and walked under the house in order to appreciate once more its “Castle on the Hill” perspective. The weather was quite sweltering and the water levels low and the grass all too brown. However, the castle remains still looked majestic, jutting up above the green trees that have slowly engulfed it since it was abandoned. It is worth considering that there would have been far fewer trees in the Tudor and Stuart years and consequently far more impressive views from the castle itself. Nature though has slowly reclaimed much of this valley, but especially the lands around the castle. We were to climb back up to the car park and take one last look at the castle which, although only operated for two centuries, feels far older and far more ancient than it actually is. Two families though connect us here today all the way back to William the Conqueror. But their differing fates illustrate that dynastic power struggles can play out in unforeseen ways and that the fortunes of families can rise and fall even with generational wealth behind them. The consequences of falling out of favour at various times in history helped turn one of the most impressive homes of the late Tudor and early Stuart period into this abandoned “Castle on the Hill.”

Location of Walk

Click for OS Map of Area

Links

Gatcombe House – Devon Gardens Trust
Historical notes on the house, grounds and former owners including the Bogan family

Gatcombe House – Historic England Listing
Official listing entry for the 18th‑century house and its architectural features

Church of St Mary – Historic England
Listing entry for the parish church containing the Seymour Chapel and memorials

Berry Manor House – Historic England
Former rectory of the Priors of Moreton; later the Seymour Dower House after the castle’s decline

Berry Pomeroy Castle – Historic England Listing
Official listing entry for the castle ruins and surviving Tudor mansion structures

Berry Pomeroy Castle – English Heritage
Visitor information, history, and site interpretation

Edward Seymour – EnglandCast
Overview of the rise and fall of the Lord Protector during the reign of Edward VI

The Execution of Edward Seymour – The History Press
Account of the political downfall and execution of the Duke of Somerset in 1552

The Elizabeth Goudge Society
Biographical material and resources on Elizabeth Goudge, author of *The Castle on the Hill*

Devon Libraries – Elizabeth Goudge
Local‑heritage profile with references to her Devon settings and major works

Suggested Reading

Brown, Stewart – Berry Pomeroy Castle
English Heritage, 2019

Caraman, Philip – The Western Rising 1549
Devon Books, 1994

Goudge, Elizabeth – The Castle on the Hill
Hodder & Stoughton, 1946

Hoskins, W. G. – Devon
Collins, 1954

Loades, David – The Seymours of Wolf Hall: A Tudor Family Story
Amberley, 2015

MacCulloch, Diarmaid – Thomas Cromwell
Allen Lane, 2018

Montague, Edward – The Castle of Berry Pomeroy
Gothic Classics Reprint, 2020

Orme, Nicholas – The Churches of Medieval Exeter
Impress Books, 2014

Pevsner, Nikolaus & Cherry, Bridget – The Buildings of England: Devon
Yale University Press, 2004

Prince, John – The Worthies of Devon
First published 1701; various later editions

Scard, Margaret Edward Seymour: Lord Protector: Tudor King in All But Name
Yale University Press, 1997

Scarisbrick, J. J. – Henry VIII
Yale University Press, 1997

Somerset, Edward (Duke of Somerset) – The Protector Somerset
Hutchinson, 1963

Stoyle, Mark – Devon and the Civil War
Devon Books, 1995

Watkins, Christine – Beyond the Snow: The Life and Faith of Elizabeth Goudge
Lion Hudson, 2010

More Walks

Walks by the Westcountry Walker

Berry Pomeroy Castle seen from outside the main gate, showing the tall twin‑towered entrance and adjoining Tudor house walls under a bright summer sky. Eastern Wing of Berry Pomeroy Castle built c.1560 by Edward Seymour, showing three storeys of grey stone with tall mullioned windows and open doorway beneath a blue sky. Upward view from the old courtyard of Berry Pomeroy Castle, looking toward the sky through roofless stone walls with window openings and a metal cross fixed to the masonry. Interior of Berry Pomeroy Castle showing four levels of floors within tall stone walls, sunlight casting grid‑shadows on the ground where the Seymour family’s upper living quarters once stood.
Berry  Pomeroy  Castle – view from outside the main gate with twin towers and Tudor house walls beneath summer clouds. Eastern  Wing – built  c.1560  by  Edward  Seymour, showing three storeys of stone and tall mullioned windows. Courtyard  View  Upwards – roofless stone walls and window openings framing the sky, with a cross fixed to the masonry. Four  Levels  of  Floors – interior walls showing the height of the Seymour family’s living quarters, sunlight marking the former floor grid.
Old chapel inside the gatehouse at Berry Pomeroy Castle, with stone walls, arched supports and timber beams above a small display model. Musket gunloop in the main gatehouse, a narrow keyhole-shaped firing slit cut through thick whitewashed stone. Rupert examining the medieval toilet facilities, standing beside a stone recess and narrow window in a whitewashed chamber. Double gunloop with lower cannon slot allowing three guns to cover the main entrance wall from a single defensive position.
Gatehouse Chapel – stone-walled chamber with timber beams and display model. Musket Gunloop – keyhole-shaped defensive firing slit in the main gatehouse. Rupert at the Toilet – examining the medieval garderobe chamber. Triple Gun Position – double gunloop with cannon slot covering the entrance wall.
Interior view of Berry Pomeroy Castle showing multiple fireplaces built into thick stone walls beneath the open sky. View from the Great Hall at Berry Pomeroy Castle, looking through tall arched openings toward the courtyard. Impressive views from the north-east corner of Berry Pomeroy Castle overlooking wooded slopes and the valley below. The Parlour and Great Chamber at Berry Pomeroy Castle, with tall stone walls and arched doorways.
Fireplaces – several hearths built into the thick stone walls of the ruined interior. View from the Great Hall – arched openings and window frames looking toward the courtyard. North-East Corner View – panoramic outlook across the wooded valley from the upper walls. Parlour and Great Chamber – tall stone walls and arched doorways marking the principal rooms.
Supporting walls for the windows of the new Great Hall and Long Gallery at Berry Pomeroy Castle, showing tall stone pillars and partial walls under a bright sky. Exterior view of Berry Pomeroy Castle looking into the Great Hall and Long Gallery through tall stone pillars and window openings. Walking toward Berry Pomeroy Castle past the old Castle Lodge, a small ivy-covered stone building beside the narrow country lane. St Mary’s Church at Berry Pomeroy seen from the hillside, with its square tower rising above trees and fields in the Devon countryside.
Great Hall and Long Gallery – supporting walls and window pillars of the Tudor extension. Exterior View – looking into the Great Hall and Long Gallery from outside the castle ruins. Walk to Berry Pomeroy – passing the ivy-covered Castle Lodge on the narrow country lane. St Mary’s Church – square-towered parish church seen across the fields from the castle hillside.
Large stone barn near Berry Pomeroy, possibly the former tithe barn, with high walls and pitched roof under a bright summer sky. Berry Pomeroy war memorial, a granite cross on a tiered base surrounded by chains and greenery, commemorating those lost in the Great War. Manor house beside St Mary’s Church at Berry Pomeroy, with ivy-covered façade, gravel drive, and church tower flying the St George’s flag. Unusual pyramid-shaped grave in the churchyard at Berry Pomeroy, shaded by trees and surrounded by older headstones.
Large stone barn near Berry Pomeroy, possibly the former tithe barn. War Memorial – granite cross commemorating villagers who fell in the Great War, surrounded by chains and greenery. Manor House and Church – ivy-covered house beside St Mary’s Church tower flying the St George’s flag. Pyramid Tomb of Elizabeth Howard – distinctive stone tomb in the churchyard shaded by trees among older headstones.
View from St Mary’s churchyard at Berry Pomeroy, looking across the fields toward distant trees and hedgerows under a clear blue sky. St Mary’s Church at Berry Pomeroy seen from the south, showing the tall tower, embattled parapets, and Perpendicular windows of the fifteenth-century rebuilding. Interior of St Mary’s Church, Berry Pomeroy, showing the nave with five-bay arcades, wooden vaulted roof, and the finely carved fifteenth-century rood screen. Memorial tablets in St Mary’s Church, Berry Pomeroy, commemorating members of the Pulling and Manico families, mounted between Gothic traceried windows.
Churchyard View – peaceful outlook across the fields from St Mary’s, with hedgerows and trees under a clear sky. St Mary’s Church South – fifteenth-century rebuilding with tower, embattled parapets, and restored Perpendicular windows. Nave Interior – five-bay arcades, wooden vaulted roof, and the richly carved rood screen spanning nave and aisles. Pulling and Manico Memorials – nineteenth-century tablets set between Gothic windows, recording local family histories.
The Somerset Monument in St Mary’s Church, Berry Pomeroy, showing the effigies of Sir Edward Seymour, his son Lord Edward Seymour, and Lady Seymour with their children beneath an ornate arched canopy. Inscription on the Somerset Monument recording its cleaning and beautification in 1771 by Edward Duke of Somerset, eighth in descent from the Protector Seymour. Detail of the Somerset Monument at Berry Pomeroy showing kneeling figures of the Seymour children in prayer, carved in relief beneath the main effigies. The chancel of St Mary’s Church, Berry Pomeroy, with stained glass east window, side lights, and altar beneath a wooden vaulted ceiling.
Somerset Monument – effigies of Sir Edward Seymour, his son Lord Edward, and Lady Seymour with their children beneath an ornate canopy. Monument Inscription – cleaned and beautified in 1771 by Edward Duke of Somerset, eighth in descent from the Protector Seymour. Seymour Children – kneeling figures in prayer carved in relief below the main effigies on the Somerset Monument. Chancel – stained glass east window and altar beneath the wooden vaulted ceiling of St Mary’s Church.
The rood screen at St Mary’s Church, Berry Pomeroy, showing painted saints and apostles with faces scratched out, framed by intricate Gothic tracery and gilded carving. Close-up of the rood screen paintings at Berry Pomeroy, showing four defaced figures of saints with faded pigments and detailed carved surrounds. Upper section of the rood screen at St Mary’s Church, Berry Pomeroy, showing the richly carved and gilded vine and grape frieze above the vaulted coving. Berry Pomeroy Church’s World War I memorial, a carved wooden shrine with St George slaying the dragon and panels listing the names of local men who fell in the Great War.
Rood Screen – painted saints and apostles with faces scratched out, framed by Gothic tracery and gilded carving. Painted Panels – close-up of four defaced figures of saints with faded pigments and detailed carved surrounds. Gilt Frieze – richly carved vine and grape decoration above the vaulted coving of the rood screen. WWI Memorial – carved wooden shrine with St George and names of Berry Pomeroy men who fell in the Great War.
Close-up of the main east window at St Mary’s Church, Berry Pomeroy, showing Christ holding the globe surrounded by angels, lambs, and pastoral imagery with Latin inscriptions below. Stained glass window on the south side of the chancel at St Mary’s Church, Berry Pomeroy, depicting biblical scenes and figures with memorial inscriptions to parishioners. Stained glass window on the north side of the chancel at St Mary’s Church, Berry Pomeroy, showing the Nativity scene with Mary, Joseph, shepherds, and a kneeling knight. Bronze heart-shaped memorial plaque in St Mary’s Church, Berry Pomeroy, commemorating Leila Marion Alice Beadel (1910) with sculpted angels and inscription from her sister Florence Julia Phillips.
East Window Close-up – Christ with the globe surrounded by angels and lambs, Latin inscriptions below. South Chancel Window – biblical scenes and memorial inscriptions to parishioners of Berry Pomeroy. North Chancel Window – Nativity scene with Mary, Joseph, shepherds, and a kneeling knight. Beadel Memorial – bronze heart plaque commemorating Leila Marion Alice Beadel (1910) with sculpted angels.
Ledger stone in St Mary’s Church, Berry Pomeroy, commemorating members of the Lyde family from 1615 to 1796, engraved with names, dates, and a coat of arms, set within red and black tiled flooring. Black marble wall memorial to Elizabeth and Robert Churchward in St Mary’s Church, Berry Pomeroy, with gold lettering and visible white veining across the polished surface. White marble memorial tablet to William Bundock and family in St Mary’s Church, Berry Pomeroy, recording naval service and sea-related deaths with biblical quotations. Diamond-shaped memorial plaque to William Martin Watts, Purser in the Royal Navy, mounted high on the brick wall of St Mary’s Church, Berry Pomeroy.
Lyde Family Ledger – stone memorial listing generations of the Lyde family from 1615 to 1796, with coat of arms. Churchward Memorial – black marble tablet to Elizabeth and Robert Churchward with gold lettering and white veining. Bundock Memorial – white marble tablet recording naval service and sea-related deaths with biblical quotations. Watts Memorial – diamond-shaped plaque to William Martin Watts, Purser in the Royal Navy, mounted on the brick wall.
Tiger sculpture at Berry Pomeroy appearing to climb an old tree trunk, surrounded by dense green foliage and summer countryside. Farm track near Berry Pomeroy lined with corrugated barns and metal silos under a bright blue sky with scattered clouds. Group of young calves inside a wooden barn at Berry Pomeroy, standing behind a metal gate on straw-covered flooring. Country road near Berry Pomeroy leading toward Dartmoor, bordered by tall hedgerows and trees with rolling hills in the distance.
Tiger Sculpture – figure of a tiger climbing an old tree trunk amid dense summer foliage. Farm Track – corrugated barns and metal silos under a bright blue sky near Berry Pomeroy. Calves in Barn – young cattle behind a metal gate on straw bedding inside a wooden shelter. Road to Dartmoor – narrow country lane bordered by hedgerows with distant views of rolling hills.
Gatcombe House near Berry Pomeroy, a 16th‑century residence once home to former Totnes mayor William Bogan, showing its cream walls, slate roof, and garden archway covered in climbing plants. Old millstone from Gatcombe Mill resting among garden plants and stonework, a relic of the historic watermill that once served the valley. Farm buildings around Netherton near Berry Pomeroy, showing corrugated barns and silos under a bright summer sky. Sunken footpath through National Trust woodlands in the Gatcombe Valley, shaded by dense green foliage forming a natural tunnel.
Gatcombe House – 16th‑century home of former Totnes mayor William Bogan, with garden archway and climbing plants. Gatcombe Mill Stone – historic millstone preserved among garden stonework from the old valley watermill. Netherton Farm Buildings – corrugated barns and silos under a bright summer sky near Berry Pomeroy. Gatcombe Valley Path – sunken woodland footpath shaded by dense foliage forming a natural green tunnel.
Gatcombe Brook with dry farmland on both sides of its banks. Horses along the Gatcombe Valley. Berry Pomeroy Castle seen from below on the hillside. Berry Pomeroy Castle jutting out above the trees on the hill.
Gatcombe Brook – dry farmland surrounding the stream. Horses – grazing along the Gatcombe Valley. Castle from below – Berry Pomeroy Castle on the hillside. Castle above trees – Berry Pomeroy Castle rising above the treetops.

Walks by the Westcountry Walker
Armed Forces | Art and Culture | Articles | Biographies | Colonies | Discussion | Glossary | Hiking | Home | Library | Links | Map Room | Sources and Media | Science and Technology | Search | Student Zone | Timelines | TV and Film | Wargames
Donate by Stephen Luscombe