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The Westcountry Walker: Hiking Through History

Rupert’s First Cathedral: A Day in Wells


Rupert’s First Cathedral: A Day in Wells

Yesterday Rupert and I were back in Somerset, and imagine our joy when we discovered that Wells Cathedral allowed dogs inside. Rupert said that he had never been in a cathedral before — he’s been in plenty of churches, but never a cathedral. We parked up on Ash Lane to the North of the Cathedral but it is very hard not to find such an large building. You walk past the impressive Wells Cathedral School which is one of the oldest schools in the world and whose history is inseparable from that of the Cathedral itself. Founded around 909 to educate the boy choristers who sang the daily offices, it has continued in unbroken tradition for over eleven centuries. The choristers are still taught there today. Over the centuries the school has grown into a thriving community, now welcoming pupils from across the country and beyond, but its heart remains bound to the Cathedral and provides the perfect avenue along which to approach it from.

Before we entered the Cathedral we detoured towards Vicars’ Close, often described as the oldest complete residential street in Europe still lived in by its original community purpose. Built in the mid‑14th century under Bishop Ralph of Shrewsbury, it was designed to house the Vicars Choral who sang the daily services in the Cathedral. Originally there were forty‑two houses, one for each vicar, along with a chapel, library, and dining hall. After the Reformation, when vicars were allowed to marry, some houses were combined, leaving twenty‑seven residences today. The cobbled street, lined with uniform stone cottages and tall chimneys, stretches northwards to the Vicars’ Chapel and Library, while at the south end the covered Chain Gate Bridge links directly into the Cathedral precinct. Walking down Vicars’ Close feels like stepping back into the 14th century: the chimneys give the street its distinctive silhouette, the paving stones are worn by centuries of footsteps, and the sense of continuity is extraordinary - although a parked car looked a little incongruous in such a setting. Still inhabited and Grade I listed, it remains one of Wells’s most photographed and atmospheric corners — Rupert, of course, insisted on exploring every inch of it. Appropriately we could hear choristers and musicians practice through the windows. It was lovely seeing and hearing it used for its original purpose all these centuries later.

Rupert’s First Cathedral: A Day in Wells

But our next stop was the Cathedral itself. It is believed that once upon a time it had the most statues of any building on Europe adorning its outside - a fair few did not survive the wrath of the Puritans and Protestants but more than enough were too high and too inconvenient to access. Of course originally they would have been painted in stunning bright colours whereas now they are bare in the same stone as the building itself offering a pleasing harmony of its own. But whether from the outside or the inside what a stunning building Wells Cathedral is. In fact, it was England’s first-ever Gothic cathedral, begun in the 12th century, and it inspired later generations of English cathedrals. It was something of an experiment, and you can even see evidence of the craftsmen improving their styles as the cathedral expanded. Most impressive of all, though, has got to be the three scissor arches, which look as though they were built in the last century and not the 14th, when they were hurriedly added after the tower began subsiding on one side (beneath this side was shale rather than rock, and the problem was compounding). Fourteenth-century engineers were more than up to the job: they added these three remarkable scissor arches to help distribute the weight, buttresses for extra support, and even removed a few windows to strengthen the structure. Seven centuries later it is still standing, a testament to their skill and dedication to their endeavour.

Rupert’s First Cathedral: A Day in Wells

Wells Cathedral was (and indeed still is) something of an administrative centre for the church, built almost directly on the site of a Saxon minster. Originally it was a church for the clergy, not for lay people, and there were no pews or seats. A massive procession of religious office holders would march into the main door and process down the magnificent nave to trumpeters, while the Bishop of Bath and Wells would take his place in his cathedra seat (hence the name “cathedral”) in the quire. They also held more prosaic meetings in the nearby Chapter House, which has some seriously well-worn stairs leading up to it. Interestingly, Cardinal Wolsey was an administrator at Bath and Wells from 1518 to 1523 and is commemorated inside. Locally, the most important bishop was Thomas Bekynton (Beckington). He has an intriguing, if morbid, cadaver tomb and chantry inside the cathedral. He had an effigy of himself in life carved some 15 years before he died — talk about preparing for your death, and how strange it must have been to walk past half your grave every day on the way to work. Below, they added an emaciated corpse wrapped in a shroud to show that mortality is inevitable for everyone, from the highest to the lowest. The whole was enclosed within iron railings to deter the devil from invading his resting place — although why the devil would be in the cathedral was anybody’s guess (I’ve seen The Omen — I know how that works!). For belt and braces, Bekynton also left money in his estate for teams of priests to chant his name in the chantry he had built next to his tomb. This man was determined to go out in style. Yet it should be said that he wasn’t just concerned with spiritual matters. Bekynton significantly improved the civil facilities around the cathedral — especially important as the Black Death was still in living memory. The most important of these was a fresh water supply originating from the wells from which the town got its name. Amazingly, you can still see these waterways coursing down the sides of the streets to this day. The church was often criticised for being insular, but Bekynton could prove that their wealth and power could be put to the benefit of the local community — although undoubtedly a healthy town also helped keep the priests and clergy healthy in the cathedral complex, so it wasn’t entirely altruistic.

Another famous name connected to the cathedral is Dr Robert Creighton, who had been chaplain to the young King Charles II and even volunteered to go into exile with him, becoming a key member of his court. In recognition of his loyalty and sacrifice, the King appointed him first Dean of Wells and later Bishop of Bath and Wells. Creighton did much to help the cathedral recover from its desecration and neglect during the Commonwealth period. Many of the stained glass windows had been smashed, and you can still see where they were later repaired as best they could — not always in the right order, but creating a beautiful coloured effect nonetheless. There is also a lectern which proudly announces his appointment as Dean by the King for his 15 years in exile.

Rupert’s First Cathedral: A Day in Wells

One window did survive the wrath of the Puritans: the Jesse Window in the Lady Chapel. Perhaps due to its height, or the appreciation of the local population, it was spared. It is one of the best-preserved medieval stained glass windows in Europe, let alone Britain. It is known as the Jesse Window because it shows Christ’s lineage from the line of David and his father Jesse.

I was also very impressed by the memorial to the Somerset Light Infantry, which is highly distinctive. It not only records their deaths in the two world wars but also, alongside the Somerset Yeomanry, commemorates a remarkable number of Somerset men who died in the Boer War. I was also interested to see a Somerset man from the Devon Regiment commemorated among other non-Somerset regimental casualties. The Somerset Light Infantry carry the Jellalabad battle honour in pride of place for being one of the few units that survived the disastrous First Afghan War, and indeed they received the solitary survivor of the Kabul garrison, Dr Brydon, at Jellalabad.

There are so many beautiful photographs of this cathedral and so much more I could say about it, but it is the kind of place you really do have to see for yourself. Photographs cannot do justice to the beauty of this, our first Gothic cathedral in the country. Rupert was thrilled that they let him inside and he had the run of the building. He was very well behaved and did his bit to advocate for dogs being allowed in our public spaces!

We also had some time to walk around the town centre, which admittedly is dominated by its cathedral heritage. But its other claim to fame is being the setting for the 2007 comedy-action film Hot Fuzz. Rupert and I used the filming locations as an excuse to wander around Wells and get a feel for the place. If you haven’t seen the film, it is very funny and definitely makes for good research before you go to Wells to visit the beautiful town. It was so fortunate that Wells escaped the wrath of the Luftwaffe in the Second World War. This was a real blessing, allowing not only the cathedral but also the city around it to survive intact, preserving the story of how religious communities and secular settlements developed side by side. Rupert certainly recommends Wells as an ideal location for dogs and their owners!

Location of Walk

Click for OS Map of Area

Suggested Reading

The History and Antiquities of the Cathedral Church of Wells
by Britton, John – Longman, Hurst, Rees, Orme & Brown, 1824 (facsimile reprints available)

The Cathedrals of England
by Clifton‑Taylor, Alec – Thames & Hudson, 1967 (later editions available)

The Cathedral Church of Wells: A Description of Its Fabric and a Brief History of the Episcopal See
by Dearmer, Percy – George Bell & Sons, 1902 (reprints available)

History of the Cathedral Church of Wells
by Freeman, Edward A. – Macmillan, 1870s (reprints available)

England’s Cathedrals
by Jenkins, Simon – Little, Brown, 2016

The Story of Wells Cathedral
by Malden, Richard H. – SPCK, 1965

The Buildings of England: North Somerset and Bristol
by Pevsner, Nikolaus – Penguin Books, 1958 (later Yale University Press editions available)

The Archaeology of Wells Cathedral: Excavations and Structural Studies, 1978–93
by Rodwell, Warwick – English Heritage, 2001

Hot Fuzz: The Screenplay
by Wright, Edgar & Pegg, Simon – Faber & Faber, 2007

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Vicars’ Close gateway Vicars’ Close cobbled street Vicars’ Close chimneys Vicars’ Close autumn view
Gateway into Vicars’ Close — a medieval entrance leading to centuries of history Cobbled street of Vicars’ Close — perfectly preserved symmetry from the 14th century Tall chimneys of the Vicars’ houses — a distinctive skyline added in the 15th century Vicars’ Close in autumn — warm stone, glowing foliage, and timeless atmosphere
Vicars’ Close looking toward the cathedral tower Gothic façade with crenellations and pinnacles near Wells Cathedral Ornate Gothic doorway with carved shields and foliage at Wells Andrew Foster memorial plaque inside Wells Cathedral
Vicars’ Close — the long cobbled vista drawing the eye to the Cathedral, symmetry held by chimneys and low garden walls Crenellated Gothic frontage — tracery, mullions, and small pinnacles articulating the rhythm of the precinct buildings Weathered oak and carved stone — shields, foliage, and a pointed arch speaking the quiet language of craft and time Dedication within the Cathedral — a memorial to Andrew Foster who was killed fighting in the Cape of Good Hope in 1806
Memorial to Margaret Isabella Sherston within the Cathedral — in a Greek Revival Style  Autumnal Look at the Cathedral from the perspective of the original Saxon Minster Vaulting or sculpture inside Wells Cathedral Rupert sat quietly in Wells Quire
Memorial to Margaret Isabella Sherston within the Cathedral — in a Greek Revival Style Autumnal Look at the Cathedral from the perspective of the original Saxon Minster Vaulting and sculpture — geometry and artistry entwined in sacred space Rupert sat quietly in Wells Quire
The Jesse Window in Wells Cathedral The Lady Chapel in Wells Cathedral Astronomical clock inside Wells Cathedral Fan vault ceiling in Wells Cathedral
The Jesse Window — a medieval masterpiece of stained glass, tracing Christ’s lineage from David in glowing colour The Lady Chapel — luminous stone and glass, a space of Marian devotion and architectural grace The astronomical clock — one of the oldest working in the world, where time, faith, and craftsmanship converge Fan vaulting — stone ribs unfurling like a canopy, both structural ingenuity and visual splendour
Scissor arches inside Wells Cathedral War memorial plaque in Wells Cathedral Scissor arches supporting the central tower of Wells Cathedral War memorial to Somerset Light Infantry in Wells Cathedral
The famous scissor arches — 14th‑century engineering brilliance, stabilising the Cathedral’s central tower Memorial plaque — honouring Somerset Freemasons who gave their lives in the Great War of 1914–1918 Another view of the scissor arches — intersecting stone ribs forming an elegant X of strength and grace Somerset Light Infantry memorial — commemorating officers and men who fell in the South African War, 1899–1902
Memorial to Elizabeth and Richard Kidder in Wells Cathedral Tomb of Bishop John Still in Wells Cathedral Graffitied effigy inside Wells Cathedral Medieval double doors in Wells Cathedral
Memorial to Elizabeth and Richard Kidder — the Bishop and his wife, killed in 1703 when a storm toppled a chimney onto them Tomb of Bishop John Still (d.1608) — Elizabethan prelate remembered for his learning and for endowing the Cathedral Effigy marked with centuries of graffiti — initials and dates carved by visitors, a palimpsest of human presence across time Ancient double doors — weathered oak and ironwork, guardians of the Cathedral’s medieval thresholds
Memorial plaque to Captain Douglas Hamilton McLean Tomb of Dr Robert Creighton in Wells Cathedral Rupert on medieval tiled floor in Wells Cathedral Ceiling of the Lady Chapel in Wells Cathedral
Memorial to Captain Douglas Hamilton McLean — Somerset Yeomanry officer who died in Johannesburg during the Boer War, remembered here with a window given by his wife Tomb of Dr Robert Creighton — Bishop of Bath and Wells (1670–1672), his effigy lying in state beneath heraldic shields and carved stone Rupert on the original medieval tiles — a modern paw on centuries‑old patterns, a reminder that history is lived as well as preserved The Lady Chapel ceiling — a starburst of ribs and gilded bosses, Gothic stonework transformed into celestial canopy
Reconstructed stained glass window in the Lady Chapel, Wells Cathedral Lectern gifted by Dr Robert Creighton in Wells Cathedral View of the Lady Chapel in Wells Cathedral Another view of the Lady Chapel in Wells Cathedral
Reconstructed stained glass — fragments once smashed, now pieced together into a glowing patchwork of colour and memory Lectern given by Bishop Robert Creighton — a gift of devotion, brass and wood standing ready for scripture Lady Chapel — a luminous sanctuary where stone ribs and stained glass create an atmosphere of Marian grace Another view of the Lady Chapel — symmetry, light, and soaring vaults combining in serene harmony
Memorial to Bishop Thomas Bekynton in Wells Cathedral Effigy of Bishop Thomas Bekynton in Wells Cathedral Ornate canopy and heraldry of Bishop Thomas Bekynton’s tomb Double effigy tomb of Bishop Thomas Bekynton in Wells Cathedral
Memorial to Bishop Thomas Bekynton (d.1465) — shown in death Effigy of Bekynton — robed and mitred, hands in prayer, carved with late‑medieval delicacy Ornate canopy and heraldic shields on Bekynton’s Chantry Chapel Double effigy tomb — Bekynton shown both in life and in cadaver form, a stark memento mori of mortality and eternity
Cathedral organ in Wells Heraldic panel of Cardinal Thomas Wolsey Heraldic panel commemorating Richard Kidder Plaque to Walter Raleigh, Dean of Wells
The Cathedral organ — a forest of pipes framed in gilded woodwork, filling the nave with sound and splendour Heraldic panel of Cardinal Thomas Wolsey — the great Tudor statesman‑bishop, his arms woven into Wells’ fabric Heraldic panel for Richard Kidder, Bishop of Bath and Wells — his arms woven into the Wedmore sequence Plaque to Walter Raleigh, Dean of Wells (1642–1646) — nephew of Sir Walter, murdered in the Deanery during the Civil War
Marble monument with reclining figure and angel in Wells Cathedral Ornate tomb effigy with Gothic canopy in Wells Cathedral Marble angel figure inside Wells Cathedral Stained glass of Saint Calixtus and King Arthur in Wells Cathedral
Marble monument — a reclining figure comforted by an angel, a tender vision of death and consolation Tomb effigy beneath Gothic canopy — robes, shields, and angels carved in stone, a monument of status and devotion Angelic detail — a winged child in marble, serene and timeless, part of the Cathedral’s sculptural language Stained glass pairing Saint Calixtus with King Arthur — sacred history and national legend side by side in coloured light
Tomb of Thomas Boleyn in Wells Cathedral Memorial to Ukraine in Wells Cathedral Stained glass window in Wells Cathedral Tomb showing traces of original pre-Reformation paint in Wells Cathedral
Tomb of Thomas Boleyn — a reminder of the family whose fortunes rose and fell with the Tudors, his memorial linking Wells to national drama Memorial to Ukraine — a modern act of solidarity, set among centuries of remembrance, binding present conflict to timeless prayer Stained glass window — saints and symbols glowing in coloured light, part of the Cathedral’s great storytelling in glass Tomb with original paint — rare traces of pre‑Reformation colour, a glimpse of how medieval Wells once blazed with pigment
The Library of Wells Cathedral Scissor arches and high altar in Wells Cathedral Decorated vaulting with red foliate motifs in Wells Cathedral Vaulting and stained glass east end of Wells Cathedral
The Cathedral Library — oak stalls, chained books, and leaded windows, a scholar’s haven preserved in time Scissor arches and altar — medieval engineering and liturgical focus combined in one breathtaking view Painted vaulting — red foliate motifs dancing along the ribs, a reminder that medieval stone was once alive with colour Looking east — ribbed vaults leading the eye to stained glass, a crescendo of light and structure
Nave of Wells Cathedral looking east Nave of Wells Cathedral with decorated vaulting Archway and Cathedral Green, Wells The Crown & Wells pub exterior
Nave of Wells Cathedral — soaring ribs, clerestory light, and pews leading the eye to the altar Another nave view — red and gold vaulting patterns drawing the gaze heavenward, Gothic verticality at its finest Archway onto Cathedral Green — The Pauper's Entrance The Crown & Wells — a timber‑framed pub with flags and flower boxes - and used in Hot Fuzz!
Peacocks shopfront in Wells, Hot Fuzz filming location City News shop in Wells, Hot Fuzz filming location Market Street with Wells Cathedral in background, Hot Fuzz filming location West front of Wells Cathedral, backdrop in Hot Fuzz
Peacocks — better known to *Hot Fuzz* fans as “Sommerfield,” where Angel and Danny stock up on Cornettos City News — the newsagent/confectioner cameoing in *Hot Fuzz*, a slice of everyday Wells turned cinematic Market Street with Cathedral beyond — the real Wells standing in for Sandford, its towers looming over the action The Cathedral west front — centuries of Gothic grandeur doubling as backdrop to gunfights and gags
Parish Church of St Cuthbert, Wells, Hot Fuzz filming location High street view with Wells Cathedral in background, Hot Fuzz filming location Cobbled alleyway in Wells, Hot Fuzz filming location The Bishop's Eye gatehouse in Wells, Hot Fuzz filming location
St Cuthbert’s Parish Church — Wells’ other great church, doubling as Sandford’s parish church in *Hot Fuzz* High street with Cathedral beyond — Wells as Sandford’s bustling centre, “the greater good” looming in stone Cobbled alleyway — Lover's Lane in Hot Fuzz The Bishop’s Eye gatehouse — medieval gateway turned cinematic stage, where history meets action‑comedy

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