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The Westcountry Walker: Hiking Through History

Cheddar Gorge: Lead, Limestone and Layers of History


Romans at Ubley Warren

After a few weeks of forgettable weather, Rupert and I were treated to a spectacularly sunny day as we decided to explore some of the area around Cheddar Gorge. In fact, as we arrived in the Mendips very early, we were actually treated within minutes of our arrival to some striking hot air balloons keen to take advantage of the perfect summer flying conditions.

We had parked at the Ubley Warren Nature Reserve a few kilometres to the east of Cheddar Gorge in order to rendezvous with all the Roman and Medieval remains which help give historical layers in addition to the geographical layers of rock we would be seeing throughout the day. Funnily enough, the Romans were here for those very geological treasures themselves, but I’ll explain more of that later.

Humans have been attracted to this corner of Somerset since the earliest prehistory. The oldest complete skeleton of a human in England was found in Gough’s Cave, dating back 9,000 years. Evidence of art dates back 13,000 years, and they even have evidence of humans eating animals in caves in the area (and other humans) dating back 14,700 years. It is perhaps hard to believe that this dramatic landscape has evidence of continuous human residence and industry dating back to the last Ice Age. All of a sudden, Roman remains don’t seem quite so old when put against that timeline – but more so than their prehistoric counterparts, the Romans began to transform the physical landscape itself.

Before we even got out of the car, we could see the remains of a Roman fort from the car park. In fact, two of the balloons flew straight over it. There are also the remains of a Roman settlement on the opposite side of the fort and even a Roman amphitheatre (one of only 12 in the country) beyond that, which should be a clue that this was no mere fort of temporary occupation as the Roman legions advanced through the area. They were here to stay, and we would see why as we headed to Velvet Bottom.

The Romans were here for the naturally occurring lead deposits and started work extracting it from the local area just six years after their initial invasion in 43 AD. Although it is tempting to look at these Roman invaders as asset strippers conquering new lands to extract valuable minerals with a little help from the Roman Army (hence the fort) if the locals protested too much, they also brought the expertise, tools and organisational skills to extract these resources and also provided markets and customers to utilise this valuable commodity. Pigs of lead were stamped to show their origin and date of extraction and shipped all over the empire to provide lead piping and roofing materials, amongst a host of other uses. You could almost see it as the first example of globalisation (or at least Western Europeanisation), which certainly benefitted the Romans but probably enriched certain well‑connected local aristocrats and provided opportunities for locals to learn lead extraction techniques that would long outlast the Roman presence in England.

Charterhouse Lead Mines

As we walked down Velvet Bottom, we started along a suspiciously straight path which once had been a horse‑drawn tramway for Victorian lead miners, illustrating just how valuable the commodity was that it was still being exploited nearly 2,000 years later. In fact, most of the mining landscape that we saw down this valley was created by the Victorians, who had access to more machinery and centuries of expertise to keep on finding value in this area, much of it reprocessing much older Medieval and Roman workings. However, their techniques were not so different to the Romans in that they both used dams to collect water and then breach it to clear topsoil and old mining debris to expose fresh veins of lead to mine. The water collected could also be used in buddle pits to help separate the heavier lead ore from the naturally surrounding limestone rock. Furthermore, these dams could be used as settling beds to stop some of the more toxic by‑products of the lead extraction process from poisoning the water supply downstream. This obviously was far from foolproof, as an 1848 riot illustrates, when 50 locals from Cheddar came up the valley and smashed up lots of the equipment and facilities in frustration at their water being poisoned. The authorities could not identify who the rioters were, so charged the entire Hundred of Winterstoke for damages. They actually won their case of unlawful damage in the year of European Revolutions, when the authorities were very wary of rioters taking the law into their own hands. However, two decades later, the mining company concerned was discovered to be pouring out some of its polluted slime into one of the many limestone holes that appeared to make their problem go away. It was demonstrated that the polluted water did reappear to pollute the Cheddar fishponds and water supply and had to pay damages after all.

The whole valley of Velvet Bottom clearly shows evidence of extensive mining activity, the most obvious being the Victorian dams with their flat hinterland behind them. You can also see circular buddle pits, leats and spoil heaps. Once it would have been an industrial landscape as grim as any can be imagined, but nature has a way of reclaiming such spoiled land, and indeed the various upheavals of minerals and rocks actually created perfect environments for some very rare species of flora and fauna to take advantage of.

As we descended Velvet Bottom past the half‑dozen or so dams, we turned north into Long Wood and ascended up over the northern edge of Cheddar Gorge. As we did so, we passed Rhino Rift, an entrance to a cave complex that was obviously home to prehistoric man, as they discovered rhino and hyena teeth near its entrance.

Charterhouse

A bit further on, we passed Charterhouse Farm, which hints that much of this area used to belong to an order of Carthusian monks that was based at the nearby village of Charterhouse. These uplands were to provide sheep pasture for the main Carthusian Priory in Witham to the south‑east.

Wells Cathedral had long resisted sharing any of its ecclesiastical influence in the area, but when Thomas Becket was murdered in Canterbury Cathedral in 1170, Henry II undertook a series of penances which included granting new land and territory to this Carthusian Order. They took over lands at Witham and Charterhouse about 1178, and Wells Cathedral just had to lump it.

The hostility began to thaw in 1180 with the arrival of the charismatic and earnest Hugh of Avalon, who, as Bishop of Lincoln, later would become famous for forming an extraordinary attachment to a wild swan which would follow him everywhere and guard him when he slept. Later, when he was canonised as St Hugh, he would always be depicted in the presence of a swan in art. This can be seen in Lincoln Cathedral, but we would also see plenty of evidence later in our walk too.

Cheddar Gorge

Soon, though, geography would take over from history as we turned south‑west to head back to the gorge. All our effort climbing the elevation was soon rewarded with magnificent views to the west over Cheddar, to Brent Knoll, Burnham‑on‑Sea and the Bristol Channel beyond. It was simply breathtaking, and a conveniently placed tree provided the perfect shaded location to stop to have lunch whilst marvelling at the plain below from our plateau height. Straining south, we could also see the church on Glastonbury Tor standing out prominently in the distance. The temperature was steadily climbing, but at this height there was a pleasant breeze to help cool us down. We had brought plenty of water, and we had had the foresight to bring some iced water bags to help keep everything cool, making the water and food taste especially sweet.

After lunch, we headed downhill. In an ideal world, we would have descended all the way into Cheddar town and gone up the southern side of Cheddar Gorge, but as it was Sunday in summer there was an opportunity to visit St Hugh’s church between the hours of 2 to 5 in the afternoon – this is the only opportunity to visit this charming church, so we decided to take the Horseshoe Bend and walk back along the northern side of the gorge. Not that this is any less impressive, and the views down below are spine‑tinglingly precipitate. Rupert was firmly on his leash, as any wrong steps could definitely result in plummeting far too far - a prospect that was to have lasting consequences on the Anglo-Saxon King Edmund in the 10th Century! There were a few visitors who were a lot braver (or foolhardier) near the edges than I was prepared to be. I am thankful that these places aren’t spoiled by fences or barriers, but the price of this freedom is to be exceedingly careful along the edges.

Anglo-Saxon King Edmund

As we kept walking along the Cheddar cliffs, we kept catching glimpses of the formidable limestone rock formations on the southern side, whilst a steady drumbeat of cars and motorbikes revving their engines below provided an unusual soundtrack. We caught glimpses of a real variety of road users attracted by the acoustics and dramatic geography. We could, though, disappear into the woods and outrun the road acoustics to enjoy the peace and quiet once more.

Black Rock Quarry dramatically exposes itself as you walk up the valley. This quarry illustrates yet another industry in this seemingly tranquil landscape. Once upon a time, there would have been steam drilling and stone‑crushing machinery echoing down the valley. You also pass a limekiln which once would have created quicklime for local farmers. The National Trust campaigned to stop quarrying in Cheddar Gorge for fear of it destroying this natural landscape. Quarrying continued here until about the Second World War, when the valley finally fell silent to these industrial extraction processes. But it looks like they left just a couple of days ago, and you can see the seams they were working, and we even made out some of the old iron steam drill bits in the rock itself.

St Hugh’s

We soon returned to Velvet Bottom and walked back up past all the lead workings. However, we were not fully to return to Ubley Nature Reserve just yet, as we detoured to catch the church of St Hugh’s.

We were in luck. On this sweltering day, not only was the church open, but the volunteers there offered tea and lemon drizzle cake and water for Rupert. Also, I could refill my water bottles after they had been severely depleted. The church itself was also pleasantly cool on this hot summer’s day.

St Hugh’s was not always a church, as some of its interesting décor and facilities hint at. Not many churches have a nice fireplace in the nave. Nor do all have a kitchen and a plumbed toilet. And I have never seen any church that has a contraption for boiling soiled clothes. The reason for these aberrations goes back to the mining activity along Velvet Bottom. This building was once the social club of those Victorian and early Edwardian lead miners. In 1844, a Cornish company had taken over the mining processes as the lead went deeper and the mining became more complicated. After a hard day grafting underground, the miners could come to this building, change their clothes and start the laborious process of cleaning up their grimy miners’ outfits as they enjoyed some food and drink. The local parish church was two miles away at Blagdon.

Now, there is an interesting Plymouth connection in how this miners’ social club was both initially built and then converted into this delightful Arts and Crafts chapel. It is all thanks to the inspiration of George Menzies Lambrick, who was born in Stonehouse, the son of General George Lambrick of the Royal Marines and one time ADC to Queen Victoria herself. George Menzies Lambrick started his work in the clergy in the onerous slums of East End London. In 1890, though, he married Maria Louisa Newnham from Blagdon. In order to escape the harsh realities of inner‑city London, he would love to spend time in this part of Somerset. However, he soon realised that not all was sweetness and light in what appeared to be an idyllic landscape. He was much taken with the plight of the lead miners, whose lives were every bit as grim as those in the East End of London and perhaps considerably more dangerous too. In 1894, he moved permanently from London to the area as mission curate to Charterhouse. The social club was apparently his first idea, but as few miners had the energy to walk two miles to the parish church on their only free day of the week, he hit on the idea of converting it into a chapel of ease. A lot of the money came from the Lambricks themselves, and they hired the well‑known church architect W. D. Caroe to convert the building into this charming church.

George Menzies Lambrick

The period before the First World War was the apogee of the Arts and Crafts church design style, incorporating hand‑carved natural motifs and elements to try and create a deliberate contrast to the harsh realities of the modernising, industrial world. It would help take the miners’ minds away from their daily grind to be surrounded by natural beauty carved by skilled artisans. It also helped that the obvious local Charterhouse connection to St Hugh would provide not just the perfect name but also his association with the swan would add yet more natural inspiration. There is also a connection to King Arthur, who is also shown as a carved relief on the reredo in addition to St Hugh. Recall that St Hugh of Lincoln was once called St Hugh of Avalon when he lived and worked in Somerset. He took this name as the Isle of Avalon at Glastonbury was identified (somewhat optimistically) as the last resting place of King Arthur after his defeat at the Battle of Camlann. The late Victorians and Edwardians also loved Celtic revival stories with their romantic associations. Perhaps Lambrick’s Plymouth origins made him even more aware of these Celtic stories. The intricate chancel arch and rood screen were not only done in a beautifully intricate Arts and Crafts Gothic style, but were also paid for by the Hill family and are dedicated to their son who was killed in the First World War.

Indeed, it is heartbreaking to see that this chapel has so many memorials to local sons killed in the First World War. There is no graveyard here, as that is at Blagdon where the war memorial is, but still there are a number of plates and dedications throughout the church to young men who died in the war. Apparently, Lambrick diligently tried to remain in contact with all his flock serving overseas and wrote diligently to them and their families. Although there is no war memorial, the 1931 Calvary outside, which was looking resplendent in the late afternoon sun, has a moving dedication that at once connects this church to its rural locations, to those who died in war and those miners whose lives he hoped to make more bearable: “To the Glory of God and in memory of all those who lived and worked in Mendip and also lie in God’s acre beneath the hill.”

I could not recommend this church highly enough. It may only be open three hours a week during the summer season, but at least it is open, and with a bit of planning can add a lovely dimension to your walk, and you can even get some much‑needed refreshments before returning to the car park nearby. Many people know and appreciate the wonderful geology of Cheddar Gorge and the surrounding area, but its history is every bit as interesting as that geography and, as we discovered for ourselves, has been very much shaped by it. Fifteen thousand years of human activity in a gorge formed 1.2 million years ago from rocks created 330 million years before that can give you more than a little pause for thought of your own existence in this universe of ours. A cool and peaceful church on a hill in the summer sun is as good a place as any to contemplate this wondrous location.

Location of Walk

Click for OS Map of Area

Links

Natural History Museum – The Cannibals of Gough’s Cave
Article on Gough’s Cave, human remains and evidence of cannibalism in Late Glacial Britain

CHARTERHOUSE ON MENDIP
1993 Survey and Excavation Report

Natural History Museum – Cheddar Man: Mesolithic Britain’s Blue‑Eyed Boy
Discussion of Cheddar Man, his DNA, appearance and what he reveals about Mesolithic Britain

British Geological Survey – Charterhouse
Geological overview of Charterhouse, including Mendip lead‑mining remains and landscape features

British Geological Survey – Mendip Lead and Other Minerals
Summary of lead and other mineral workings across the Mendips, including Roman and later mining

British Geological Survey – West Mendip Quarries History
Historical overview of quarrying in the West Mendip area, including Cheddar and Black Rock

British Geological Survey – Geology of Cheddar Gorge
Geological formation, limestone strata and the shaping of the gorge

Historic England – Roman Fort East of Charterhouse
Scheduled Monument entry for the Roman fort 600 yards (548m) east of Charterhouse

Historic England – Roman Amphitheatre North of Charterhouse
One of only twelve Roman amphitheatres in Britain, linked to the Mendip mining settlement

Historic England – Roman Settlement at Town Field
Archaeological remains of the Roman industrial settlement serving the Mendip lead mines

Historic England – Church of St Hugh, Charterhouse
Grade II* listing for the Arts and Crafts chapel converted from the miners’ social club

Suggested Reading

Burr, Peter S. – Mines and Minerals of the Mendip Hills (Vols 1 & 2)

Goodwin, Sidney – History of the Carthusian Order: Silence, Solitude, and Spiritual Power

Hardy, Peter – The Geology of Somerset

Leach, Peter – Roman Somerset

Pickering, Andrew – Cheddar Through Time (Revised Edition)

Thornycroft, L. B. – The Story of Cheddar: Its Gorge, Caves & Ancient History (Tourists’ Edition)

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Black hot‑air balloon drifting above grassy ridges near the Roman fort at Charterhouse, Mendip Hills Two balloons over the Mendip landscape, the black 1936 and yellow Thatchers cider balloon crossing the Roman settlement area Yellow Bradfords balloon rising above trees on the Mendip slopes near Charterhouse Roman fort Bradfords balloon gliding low over green hummocky ground of the Mendip Hills, close to the Roman mining site
Black 1936 hot‑air balloon drifting above grassy ridges near the Roman fort at Charterhouse, Mendip Hills. Two balloons over the Mendip landscape, the black 1936 and yellow Thatchers cider balloon crossing the Roman settlement area. Yellow Bradfords balloon rising above trees on the Mendip slopes near Charterhouse Roman fort. Bradfords balloon gliding low over green hummocky ground of the Mendip Hills, close to the Roman mining site.
Still pond at Ubley Warren nature reserve, fringed with reeds, wildflowers and water lilies on the former lead‑mining ground Woodland path through mature beech trees at Ubley Warren, sunlight filtering through the canopy with a spaniel standing alert Open meadow at Ubley Warren with dry‑stone wall and dog on the grassy path across the old mining landscape Grassy hollow and limestone outcrop at Ubley Warren, showing the contours of former lead workings now reclaimed by nature
Still pond at Ubley Warren nature reserve, fringed with reeds, wildflowers and water lilies on the former lead‑mining ground. Woodland path through mature beech trees at Ubley Warren, sunlight filtering through the canopy with a spaniel standing alert. Open meadow at Ubley Warren with dry‑stone wall and dog on the grassy path across the old mining landscape. Grassy hollow and limestone outcrop at Ubley Warren, showing the contours of former lead workings now reclaimed by nature.
Grassy footpath lined with buttercups leading from Ubley Warren car park toward Velvet Bottom, with a spaniel walking ahead between the banks Dark underpass beneath the hillside on the Velvet Bottom footpath, with a dog resting in the tall grass near the tunnel entrance Grass‑covered terraces and low stone walls marking the remains of lead‑mining dams at Velvet Bottom in the Mendip Hills Rocky slope and spoil heap from former lead workings at Velvet Bottom, now overgrown with grass and ferns
Grassy footpath lined with buttercups leading from Ubley Warren car park toward Velvet Bottom, with a spaniel walking ahead between the banks. Dark underpass beneath the hillside on the Velvet Bottom footpath, with a dog resting in the tall grass near the tunnel entrance. Grass‑covered terraces and low stone walls marking the remains of lead‑mining dams at Velvet Bottom in the Mendip Hills. Rocky slope and spoil heap from former lead workings at Velvet Bottom, now overgrown with grass and ferns.
View down Velvet Bottom from one of the lead‑mining dams, showing grassy valley sides and scattered limestone outcrops Footpath skirting Piney Sleight Farm, lined with tall summer grass and leading toward a large oak tree under clear blue sky Flock of sheep resting in the shade beneath trees on the Mendip slopes, escaping the midday heat of the sun Rupert walking southwest toward Cheddar Gorge through open grassy meadows framed by hedgerows and summer light
View down Velvet Bottom from one of the lead‑mining dams, showing grassy valley sides and scattered limestone outcrops. Footpath skirting Piney Sleight Farm, lined with tall summer grass and leading toward a large oak tree under clear blue sky. Flock of sheep resting in the shade beneath trees on the Mendip slopes, escaping the midday heat of the sun. Rupert walking southwest toward Cheddar Gorge through open grassy meadows framed by hedgerows and summer light.
Panoramic view from the Mendip plateau looking out over Cheddar Reservoir and the Somerset Levels under a blue sky Looking down into the precipitous and rugged limestone cliffs of Cheddar Gorge from the high, unfenced northern edge Dramatic clifftop view looking down the winding road passing through the steep rocky valley of Cheddar Gorge Distant zoomed-in view of the distinctive St Michael's Church tower atop Glastonbury Tor rising from the Somerset plain
Panoramic view from the Mendip plateau looking out over Cheddar Reservoir and the Somerset Levels. Looking down into the precipitous and rugged limestone cliffs of Cheddar Gorge from the high, unfenced northern edge. Dramatic clifftop view looking down the winding road passing through the steep rocky valley of Cheddar Gorge. Distant view of Glastonbury Tor standing out prominently across the Somerset landscape.
Stunning view looking southwest down the deep, wooded valley of Cheddar Gorge toward the open Somerset countryside Gravel footpath with a wooden handrail winding downhill past green bracken toward the gorge floor Rupert walking across a grassy meadow toward the towering exposed limestone rock faces of Black Rock Quarry Dark, glassy lead-mining slag heaps forming a track and mounds alongside the grassy valley of Velvet Bottom
Stunning view looking southwest down the deep, wooded valley of Cheddar Gorge toward the open Somerset countryside. Gravel footpath with a wooden handrail winding downhill past green bracken toward the gorge floor. Rupert walking across a grassy meadow toward the towering exposed limestone rock faces of Black Rock Quarry. Dark, glassy lead-mining slag heaps forming a track and mounds alongside the grassy valley of Velvet Bottom.
St Hugh's Church at Charterhouse showing the roughcast exterior, stone tiled roof, copper-clad fleche, and stone boundary wall with an information noticeboard Side profile view of St Hugh's Church from the adjacent lane, highlighting its continuous nave and chancel, prominent roughcast chimneys, and countryside setting The 1931 stone Calvary war memorial cross standing resplendent in the churchyard against a backdrop of mature trees Interior of St Hugh's Church showcasing high-quality Arts and Crafts oak paneling, an arch-braced roof, an intricate rood screen, and simple chairs
The charming roughcast exterior of St Hugh's Church at Charterhouse, built predominantly by W.D. Caröe in 1908. Side view of the church showing the unique Arts and Crafts architectural styling, including its prominent chimneys and battered walls. The 1931 Calvary outside the church, dedicated to those who lived and worked in Mendip. The beautiful, cool interior featuring detailed Arts and Crafts oak fittings, an intricate chancel arch, and a 15th-century style rood screen.
An octagonal stone baptismal font featuring an intricate, domed oak cover inside St Hugh's Church A brass memorial plaque mounted on oak paneling, dedicated to Claude Buxton who was killed in action during World War I A bronze memorial plaque dedicated to Lance-Sergeant John Tunstall, killed in action at Arras in 1917 A bronze memorial tablet dedicated to Hugh Maurice Hill by his mother, commemorating his life after being severely wounded at Néry in 1914
The octagonal stone font with its highly detailed, matching carved oak cover at the west end of the nave. Memorial plaque to Claude Buxton of the 1st Duke of Cornwall's Light Infantry, killed in action on April 23rd, 1917. Memorial plaque to Lance-Sergeant John Tunstall of the Argyll & Sutherland Highlanders, killed in action on St George's Day, 1917. A touching memorial tablet to Hugh Maurice Hill, given by his mother in gratitude for his bright example following severe wounds at Néry, Mons in 1914.
A bronze memorial plaque explaining that the church's west window was given in gratitude for the preservation of Lieutenant Hugh Maurice Hill at Néry in 1914 A bronze memorial plaque dedicated to Charles Gathorne Hill, a benefactor who helped build and beautify the church A bronze World War I memorial plaque dedicated to Corporal William Lawrence Cattell, who died of wounds received at the Battle of the Somme An intricate oak relief carving of St Hugh of Lincoln wearing a mitre, holding a crozier, and standing beside his companion swan
A plaque recording that the west window was gifted in gratitude for the survival of 2nd Lieutenant Hugh Maurice Hill, who was rescued after being left for dead at Néry. Memorial to Charles Gathorne Hill, a lover of Mendip who assisted in constructing the church and later beautified it in memory of his youngest son. Moving memorial plaque for Corporal William Lawrence Cattell of the Royal Field Artillery, who died at Boulogne following wounds sustained on the Somme in 1916. A beautifully detailed Arts and Crafts wood carving of St Hugh, complete with his iconic companion swan, set within the church's decorative oak fittings.
An intricate hand-carved oak statue representing King Arthur standing within a panelled alcove with decorative floral borders Carved oak memorial panel with gilded lettering dedicated to R.A.G.H. who died at Ostend on 12th August 1918 aged 21 Carved oak panel with gilded lettering explaining that the chancel screen was erected by Charles Gathorne and Gertrude Hill in memory of their son Detail of the magnificent carved oak rood screen depicting the Crucifixion of Christ with flanking figures under a wide wooden archway
A beautifully crafted oak carving of King Arthur, showing off the exceptional skill of the Arts and Crafts woodworkers inside the church. A carved oak memorial panel with elegant gold lettering, dedicated to Richard Alexander Gathorne Hill (R.A.G.H.), who died at Ostend in 1918. Dedication inscription on the chancel screen, erected to beautify God's house in loving memory of Lieut. Richard Alexander Gathorne Hill. A close-up view of the 15th-century style rood group atop the screen, showcasing the intricate tracery and remarkable craftsmanship.
A glazed red-brick fireplace set into the oak panelling of the nave, reminiscent of a traditional working miner's club room An old brick wash copper or stove structure within the vestry corner, historically used by miners to boil their soiled clothing, now filled with storage items Another polished red-brick fireplace located in the vestry room, showing the domestic meeting hall heritage of the building A beautifully embroidered deep red kneeler cushion featuring a white swan icon next to a stylized letter H and the text St Hugh's Chapel Charterhouse 1985
One of the unusual tiled fireplaces in the nave, highlighting the building's original core purpose as a local miner's meeting hall. An old brick-built laundry copper in the vestry corner, where miners would originally boil their heavily soiled work clothing after a shift. The handsome red-brick fireplace in the vestry, further cementing the church's unique, practical club-room beginnings. A lovely embroidered kneeler from 1985, proudly showcasing the iconic swan emblem linked to St Hugh of Lincoln.
Stained glass window inside the church depicting the Nativity scene with Biblical figures and the text Unto us a child is born Stained glass window featuring four saints including Saint Michael, the Good Shepherd, Saint Martin, and Saint George A wide interior view of the church nave showing rows of simple wooden chairs facing the chancel screen and a fireplace on the left wall A vintage orange flatbed pickup truck with a hydraulic crane arm parked on a grassy track next to a gravel path
A beautifully detailed stained glass window depicting the Nativity, complete with the inscription "Unto us a child is born." Vibrant stained glass window panels honoring Saint Michael, the Good Shepherd, Saint Martin, and Saint George. A final look across the unique, wood-panelled interior of the church, showcasing its layout of simple rush-seated chairs. An interesting vintage orange pickup truck spotted waiting out in the grassy car park area back at Ubley Warren.

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