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The Westcountry Walker: Hiking Through History

Haytor Down to Ilsington: History on the Edge of the Moor


William Stone Boundary Marker

On an early May morning Rupert and I parked on Haytor Down with ominous and moody weather beckoning. Originally we had intended to head northwest to Hound Tor and the bluebells on Holwell lawn. But given the weather forecast and gloomy skies we turned to plan B and headed to Ilsington with its medieval church - which had the benefit of a roof to shelter us. This was to prove to be a propitious move and not just because of the weather.

The views from Haytor Down are stunning. You are on the edge of the moors and so have glorious views south all the way to the English Channel but also to the rolling hills to the east. Even on a day with low cloud base, you were still treated to magnificent scenery and the swirling mist and low cloud only added to the atmosphere.

Edward St Maur

There is a very clear path all the way down from the car park but if you were to deviate just 200 yards or so to the north you come across the old parish boundaries between Ilsington parish and Bovey Tracey parish. Once upon a time everybody knew their parish boundaries as these were the practical local government boundaries as well as ecclesiastical divisions as parishes were responsible for looking after the poor and recording all births, marriages and deaths amongst other responsibilities. This stopped in 1834 with the introduction of the Poor Law Amendment Act which was the harbinger of workhouses and central government taking more control over the care of the poor and needy. Beating the bounds dates back to the Middle Ages when parishioners would walk around their parish boundaries with willow or birch branches to strike obvious geographical features like prominent stones, trees or waterways. Now heathland caused a problem in this tradition as it was unclear where one parish stopped and another started. So boundstones were often erected in more derelict areas to give parishioners something to strike! The boundstones between Bovey Tracey and Ilsington are more interesting than most. They were erected in 1853 by Edward St Maur better known as the Duke of Somerset and they record various names as you go along them. They all bear his initials on one side and the date 1853. On the other side is an eclectic collection of names of the royal family such as Victoria and Prince Albert, geographical names like Owlacombe Burrow and two curious ones relating to even older boundary stones marked on old maps as the William Stone and the Jack Stone. Who these last two are is anyone’s guess. Perhaps the stonemasons who made them. Perhaps the William stone is from an older WS that may well have been an older boundary from Saxon times: Writelan Stan. In 1829 he had bought the nearby estate of Stover from the Templer family and made it is principal residence. This purchase also included the Stover canal and the Haytor granite tramway and the quarries nearby. His son confusingly also called Edward was the MP for Totnes before the 11th Duke of Somerset passed away in 1855. He then ascended to the House of Lords as the 12th Duke and was appointed First Lord of the Admiralty, with a seat in Lord Palmerston’s Liberal cabinet. Notwithstanding his seniority, there was to be something of a roller coaster in the affairs of the Stover Dukes of Somerset in the coming years. The 12th Duke had two sons one of whom died after being mauled by a bear in India at the age of just 24! The other son called Ferdinand was a soldier and diplomat who had fought in Persia, participated in the Relief of Lucknow in the Indian Mutiny and volunteered to fight with Garibaldi for Italian independence amongst other exploits. Whilst there, he got into trouble by accusing another soldier of embezzling funds designed to recruit international soldiers for the Italian cause. The person he accused challenged him to a duel which his commander refused permission for Seymour to participate. So instead of fighting a duel, Seymour horse whipped the man. After a protracted legal case he had to pay damages to the man he beat. But this wasn’t his real scandal. That was to come just a few years later when he started a relationship with a 17 year old servant with whom he had two children. Sadly Ferdinand died in a botched operation in 1869. With both sons dead, in his will the 12th Duke left the Stover estate to the illegitimate male child of his Ferdinand in 1885. This was scandal indeed in the Victorian age although the title was not permitted to be conferred upon an illegitimate child and so it went to the 12th’s brother Archibald Seymour. The illegitimate grandson who inherited Stover went on to fight in the Boer War and the First World War but died in Kenya in 1927. There is a monument to him in the church at Teigngrace. The association of the Duke of Somersets and this part of Devon was severed with the death of the 12th Duke but these boundary stones remind us that they were once a very important local family indeed.

We though proceeded our descent towards Ilsington church which we could see from the Down off in the distance. We crossed over the tramway which the Dukes of Somerset had purchased when they took over Stover House and headed to Green Lane. There we stumbled across an Open Garden and Wildlife photography event. It was all in aid of Macmillan Nurses National Garden Scheme. We had a look around their beautiful Journey's End Garden with an eclectic mix of meadow plants and trees. But the owners are also professional wildlife photographers and turned their entire house into a wildlife photography exhibition with pretty much every room hanging beautiful photographs - yes even the bathroom! I did enquire if the various tigers, lions and elephants had all been photographed in their garden but they assured me that they were from further afield. It was a beautiful house with stunning views in all directions. Rupert was most welcome too and we had tea and cake there. This was a serendipitous find indeed and convinced us that heading to Ilsington had been a good idea after all.

Ilsington

As we left their house, the long threatening rain finally began to fall. Just down the road we saw a restored lime kiln. These were once such a feature of so many agricultural areas in the Westcountry. Most people understand their role in creating lime for cement for construction purposes but they were also used extensively to neutralise soil acidity with quicklime. Nitrogen and artificial fertilisers would ultimately see the decline of quicklime made in local lime kilns like the one we found here but it is an important part of our agricultural heritage to good to see one not only preserved but restored.

St Michael’s Church

We then carried on down the deep valley into Narracombe wood before climbing back up towards Ilsington and head for St Michael’s Church there. Once again this is an enormous church in a tiny village. But as we have already pointed out once upon a time Ilsington parish was huge and its rural population was far larger than it is today. In the graveyard, this church actually has the remains of the original Manor House that used to stand beside the church. The Normans were keen on projecting power and castles, manor houses and churches often or a combination thereof often lay close to one another. There is no castle here but the Manor House and Church were once even connected directly and there is a door on the North side of the church which once allowed the lords to pass in and out of the church to their own private chapel without having to mix with the hoi-polloi. In this case it was the Dynham family held this manor from the Earls of Devon until 1501. There is effigy of a Lady Dinham lying recumbent in the church itself. The Manor House was later split into 4 and then eventually fell into disrepair or used to build the village school in the Victorian era. Apparently many of the manor house’s dressed stones were used in all sorts of building projects around the village.

Jane Montgomery Campbell

St. Michael’s was expanded as the wool trade increased in importance to Devon but also due to tin mining and eventually quarrying which took place in the area. It is mainly a 15th century structure and still retains its 15th century rood screen and a few examples of the original pews and woodwork. There is a newer reredo which now lies in the Lady Chapel after the chancel was renovated in 2001. It had a fascinatingly varied histor. It was erected in 1902 in remembrance of Caroline Lyon who had married Canon Percy Wise of Adelaide Cathedral in Australia. Sadly she died in Manila whilst travelling between Britain and Australia. Her architect brother designed this reredo for her. This is not the end of its fascinating story. Originally a Last Supper carving was supposed to fill the centre panel but was not completed and at temporary Christ Bound to the Pillar carving was used instead. But in 1963 this temporary centrepiece was was replaced by a carving incorporating the Altar Crucifix to commemorate John Turnbull. John and his wife had been living and working in Malaya in 1941 when it was captured by the Japanese and both were interred in brutal conditions for the entirety of the war. On their return to England after the war they settled in nearby Liverton and dedicated their energies to St. Michael’s church for the rest of their lives. I love the fact that even recent additions to the church architecture can have such interesting stories behind them.

Tor Bus Company

There is a beautiful stained glass window on the south wall dedicated to the parents of Elizabeth Divett who lived in Colsworthy in Liverton. The East Window has a newer stained glass window from the benefactor of Wilfred Potter of Haytor. He had actually been the founder of a local bus company called the Tor Bus Company which diversified from delivering coal to carrying passengers - using the same trucks but after having cleaned out the soot as best they could and inserted some wooden benches down the sides. They ran buses until 1963 and became something of a local institution.

 Brigadier General Seymour Charles Hale Monro

I was fascinated to find a strong link from Scotland to this remote Devon village. Perhaps the high moorland of Devon appealed to the Scots who seemed to settle here. One commemorated is Louisa Maxwell whose inscription says she as the second daughter of Patrick MacDougall Esquire of MacDougall, of Dunollie Castle, Argyleshire. She died at Ingsdon House in 1843 aged 47. She was the sister of Mary Jane Macdougall who married Charles Hale Monro. One of Charles’ sons is remembered as Seymour Vassall Hale Monro of the 78th Regiment of Highlanders who died in Poonah in 1853 at the age of just 21 He was the son of Charles Hale Monro. His nephew, son of Charles James Hale Monro, would go on to have a much longer military career which also though ended in India. Brigadier General Seymour Charles Hale Monro passed his regimental career with the 72nd Highlanders. He had a very busy military life indeed in the various North West Frontier campaigns of the late Victorian era and the Boer War. He died at Ahmednagar at the age of 50. It is interesting that these were both born and brought up in Devon and yet their Scottish identity and ancestry would see their professional army careers be dedicated to Highland regiments.

The rain had really set in by the time we left. But we could get a little cover from the old school building lych gate which also serves as one of the more interesting war memorials I’ve come across. St Michael is very much the warrior’s saint and there is a statue of him on the outside of this building. But the little room perched above the lychgate has had a more dramatic past than its mild appearance suggests. In the 1630s it served as the parish schoolroom, where Hannibal Corbyn attempted to educate thirty local boys in a space that was clearly held together more by optimism than masonry. On a wet September morning in 1639, with seventeen boys present and the class preparing to break for dinner, a woman passed through the gate below and let it slam in the wind. That single bang was enough to finish the job the weather had started. The entire structure gave up the ghost in one theatrical movement: walls outwards, roof straight down, nothing left standing where it ought to have been. The boys were flung in all directions. One ran headlong into the only surviving chimney; another found himself pinned under the fallen roof; and a third - young Humphrey Degon - vanished entirely. After a frantic count and a search through the rubble, Humphrey was discovered apparently lifeless, only to revive suddenly and sprint home to Smallacombe farm, shaken but intact. Remarkably, no one was seriously hurt.

We passed Smallacombe Farm on the climb back towards Haytor Down and allowed ourselves a brief smile for the boy who once staggered out of that collapsed schoolroom and ran home across these same fields to his home here. From the farm the path rose sharply, and we worked our way up to the old horse‑drawn tramway before turning back towards the car, the rain settling in for the afternoon. Even so, the weather never managed to blunt the day. The moor in its wet, restless mood had a character entirely its own, the sort of landscape that seems to remake itself with every change in the sky. Two days later we would return and find it transformed again - so completely altered in light and atmosphere that it might as well have been another place altogether.

Location of Walk

Click for OS Map of Area

Links

St Michael’s Church, Ilsington – National Churches Trust
Entry for St Michael’s, Ilsington, with basic history and visitor information

Ilsington Church of St Michael – Devon Churchland
Detailed description and photographs of the church and its fittings

Historic England Listing – St Michael’s, Ilsington
Official listing entry for the Grade I parish church

Haytor Down – Rich Kni Dartmoor Pages
Walk description and photographs for the Haytor Down area

Historic England – Haytor Granite Tramway
Scheduled monument entry for the Haytor granite tramway

The Stover Estate – Devon Heritage
Historical overview of the Stover estate and its owners

BRS Images – Wildlife Photography
Professional wildlife photographers based at Journey’s End, Ilsington

Lime Kiln below Green Lane – Dartifacts
Record of the restored lime kiln near Green Lane, Ilsington

The Devon Lime Industry – John Leach
Article on the development of the lime industry in Devon (PDF)

Legendary Dartmoor – Black Hill
Background piece on Black Hill on Dartmoor (general Dartmoor context)

Brigadier General Seymour Charles Hale Monro – Royal Collection Trust
Portrait and short biographical note for Seymour Charles Hale Monro

Suggested Reading

Hemery, Eric – High Dartmoor
The definitive topographical and historical study of Dartmoor, including Haytor Down and its industrial archaeology

Hoskins, W. G. – Devon
Classic county study giving essential context for Ilsington, parish boundaries and rural settlement patterns

Jenkins, Simon – England’s Thousand Best Churches
Architectural comparisons for churches like St Michael’s, Ilsington and other medieval Devon parish churches

Gray, Todd – The Devon Country House
Background on estates such as Stover and the families who shaped the region in the 18th and 19th centuries

Wade Martins, Susanna – The English Model Farm
Explains agricultural improvements, lime use, and rural industrial structures like the Green Lane lime kiln

Crowther, M. A. – The Workhouse System 1834–1929
Clear background to the Poor Law Amendment Act and the end of parish responsibility for the poor

Pakenham, Thomas – The Boer War
The standard narrative history of the conflict in which Major‑General Penn Symons was killed at Talana Hill

Barthorp, Michael – The North-West Frontier
Campaign background for the service of Seymour Charles Hale Monro and other Highland officers in India

Newman, Paul – Dartmoor Industrial Archaeology
Covers the Haytor granite tramway, quarries, and associated 19th‑century industrial sites

Orme, Nicholas & Cannon, John – West Country Churches
Useful for understanding the decorative traditions and restorations seen in churches like Ilsington

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Dartmoor pony standing in front of the car on Haytor Down Rupert walking on the main path across Haytor Down Rupert standing on Owlacombe Burrow One of the Duke of Somerset’s 1853 bound stones marking the parish limits
A Dartmoor pony grazing in front of the car on Haytor Down, a typical sight on the open moor. Rupert on the main path across Haytor Down, heading towards the views over South Devon. Rupert standing on Owlacombe Burrow, one of the named features recorded on the 1853 boundary stones. One of the Duke of Somerset’s 1853 bound stones marking the parish limits between Ilsington and Bovey Tracey.
Prince Albert bound stone beside what may be a far older parish boundary marker European stonechat perched on a young tree Bluebell-lined country lane leading down to Green Lane Angelique tulips in the charity open garden
The Prince Albert bound stone standing beside what may be a much older parish boundary marker. A European stonechat perched on a young tree on the slopes below Haytor Down. A bluebell-lined country lane descending towards Green Lane. Angelique tulips flowering in the garden opened for charity.
Old granite gatestones in the garden European stonechat perched on a young tree in the garden Flowering tree and spring garden at the charity open garden Restored lime kiln near Green Lane
Old granite gatestones standing in the garden, part of the landscaping at the charity open garden. A European stonechat perched on a young tree within the garden grounds. A flowering tree and spring garden scene from the open garden visited during the walk. The restored lime kiln near Green Lane, once used for producing quicklime for agriculture.
Huge black wet bull at Narracombe Farm Narracombe Cottage and the lane descending the valley Old manor remains in front of St Michael’s Church, Ilsington St Michael’s Church on a dark, grey, rainy day
A huge black wet bull standing in the fields of Narracombe Farm as the rain set in. Narracombe Cottage and the narrow lane running down the valley towards Ilsington. The remains of the old manor house in front of St Michael’s Church, once linked directly to the church. St Michael’s Church on a dark, grey, rainy day, its tower rising above the churchyard.
Path to the southern entrance of St Michael’s with the old schoolroom lychgate at the end Altar and the organ loft at the back of St Michael’s Church Nave of St Michael’s looking down towards the chancel Dedication plaque to Jane Montgomery Campbell and her sister Elizabeth
The path leading to the southern entrance of St Michael’s, with the old schoolroom lychgate visible at the end. The altar and the organ loft at the back of St Michael’s Church, showing the arrangement of the chancel and organ pipes. The nave of St Michael’s looking down towards the chancel, with the rood screen and arches clearly visible. The dedication to Jane Montgomery Campbell and her sister Elizabeth; Jane translated the hymn “We Plough the Fields and Scatter” into English.
Three charitable-giving plaques in St Michael’s Church Medieval recumbent effigy of Lady Dinham Stained glass window of St Michael dedicated to Lt Colonel Lancelot Coulson Pitman R.E. Memorial plaque to Sarah Duncombe, 1796
The three plaques in St Michael’s Church recording charitable gifts to the parish from Miss Jane Ford, Mr William Candy, and Mrs Ann Hall. The medieval recumbent effigy of Lady Dinham who used to live in the manor next door with its own private entrance to this chapel. It is one of the oldest monuments in the church. The stained glass window of St Michael dedicated to Lt Colonel Lancelot Coulson Pitman R.E., who served as churchwarden. The memorial to Sarah Duncombe, who died in 1796, marking her connection with the parish.
Carved medieval angel at the crossing Wills family memorial plaque East stained glass window of the chancel View of the nave from the pulpit
One of the medieval angels set around the crossing, part of the fifteenth‑century ribbed vault where the nave, chancel and transepts meet. The wings on some of these figures have been renewed, but the carving itself belongs to the original roof. The Wills family memorial in the north aisle, recording several generations from 1840 to 1883. It sits within the later Perpendicular work of the aisle, rebuilt in the fifteenth or early sixteenth century. The East Window in the chancel, a Victorian design in the medieval manner, set within the thirteenth‑ or fourteenth‑century chancel. The canopies and colours follow the Gothic style used throughout the church’s later Perpendicular additions. The nave seen from the pulpit, showing the five‑bay granite arcade, the fifteenth‑century wagon roof and the organ loft above the medieval font at the west end.
Carved bench ends beside the rood screen Stained glass window of the Beatitudes St Francis window by George Cooper-Abbs 1902 reredos with painted crucifixion panel
Late medieval carved bench ends standing beside the rood screen, their poppyhead finials and solid Gothic carving showing the wealth of the parish when the fifteenth‑ and early sixteenth‑century work was added. The stained glass window often called the Divell window, showing four scenes from the Beatitudes with their nineteenth‑century dedications, set within the Perpendicular stonework of the aisle. The St Francis window by George Cooper‑Abbs, a twentieth‑century design full of natural detail, installed in the church’s later chapel and glowing against the older medieval fabric. The 1902 reredos with its painted crucifixion panel and carved Gothic framing, added during the early twentieth‑century furnishing of the chancel.
Plaque commemorating John Turnbull Old tombstone set into the church floor Memorial to Louisa Maxwell of Dunollie Castle Memorial to Seymour Vassall Hale Monro
The plaque on the reredos recording the gift made in memory of John Turnbull, churchwarden from 1961 to 1963, whose naval service on H.M.S. Tien Kwang is also noted. One of the many old tombstones set into the church floor, its Latin inscription worn by centuries of footfall and now partly hidden beneath the modern furnishings. The memorial to Louisa Maxwell, daughter of Patrick MacDougall of Dunollie Castle, Argyllshire, who died at Ingsdon in 1843 aged forty‑seven. The memorial to Seymour Vassall Hale Monro of the 78th Highlanders, second son of Charles Hale Monro of Ingsdon, who died at Poona in 1853 aged twenty‑one.
Memorial to Brigadier General Seymour Charles Hale Monro Memorial to Mary Jane and Charles Hale Monro Painted ceiling with ribbed vault and bosses Heraldic stained glass window
The memorial to Brigadier General Seymour Charles Hale Monro, who served with the 72nd Seaforth Highlanders, fought in seven campaigns, was twice wounded, and died at Ahmednagar in 1906 aged fifty. The memorial to Mary Jane Monro, daughter of Patrick MacDougall of Dunollie, Argyllshire, who died in 1858, and to her husband Charles Hale Monro of Ingsdon, who died in 1867. The painted ceiling with its intersecting ribs and decorative bosses, part of the later restoration work that highlights the structure of the vaulting above the nave and transepts. A stained glass window of heraldic shields set within geometric glazing, showing the arms of families connected with the parish and framed by coloured borders.
Dedication plaque to Colonel Clarence J. Ellis Message in a bottle left during 1926 roof repairs Tulips growing among the gravestones in the churchyard War memorial plaques in the lychgate
The dedication to Colonel Clarence J. Ellis, recording the installation of the bell‑chiming apparatus in the tower by his family in 1963. The message in a bottle left by the vicar J. D. H. Patch and mason J. Morrish during the re‑slating of the south transept roof in 1926, discovered again in 2021. Tulips growing among the old gravestones in the churchyard, a bright contrast against the weathered stone and the historic buildings behind. The names of the men of Ilsington who died in the two World Wars, recorded on the memorial plaques inside the covered lychgate.
St Michael’s lych gate at the entrance to the churchyard Smallacombe Farm on the hillside Ponies on Haytor in misty rain Inclement weather near the Haytor Visitor Centre
The lych gate of St Michael’s, marking the entrance to the churchyard and forming part of the approach to the church. Smallacombe Farm on the slope below Haytor, with its stone buildings and millstones set into the retaining wall. Ponies grazing on Haytor in the mist and rain, a familiar sight on the high moor in unsettled weather. The wet and misty weather rolling across the road near the Haytor Visitor Centre, with visibility fading into the fog.

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